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Subtítulo en Español

1900 (1976)

1900 (1976)

Novecento aka 1900 (1976) 720p BRrip_sujaidr_part 2-spa.srt

1900 (1976)

Vista previa

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Subtitles downloaded from www.OpenSubtitles.org

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No me apetece volver a casa
nunca más.

00:00:11,029 --> 00:00:12,820

00:00:15,280 --> 00:00:18,277
Jura que no te convertirás
en un patrón gordo y vulgar.

00:00:18,446 --> 00:00:20,437

00:00:23,780 --> 00:00:25,770
Lo juro. ¡Lo juro!

00:00:25,947 --> 00:00:29,643
Y jura que me amarás siempre
y que nunca te casarás conmigo.

00:00:29,821 --> 00:00:31,444
¡Jura! ¡Jura!

00:00:36,237 --> 00:00:38,394
¡Juro que me casaré contigo!

00:00:38,571 --> 00:00:40,194
¡Para siempre!

00:00:41,780 --> 00:00:43,735

00:00:43,905 --> 00:00:47,067
- Dame la mano.
- ¡La mano nunca!

00:00:48,738 --> 00:00:51,308
- ¡Cómo mientes!
- ¡Callaos, por favor!

00:00:52,487 --> 00:00:55,402
¿Qué ocurre? ¡Ottavio!

00:00:55,571 --> 00:00:58,403
Estoy haciendo un trabajo dedicado.

00:00:58,571 --> 00:01:00,526
¿Pero qué haces?

00:01:01,654 --> 00:01:05,019
Esto son fotografías artísticas.

00:01:07,612 --> 00:01:10,942
¿Quiénes sois vosotros?
¿Qué hacéis ahí?

00:01:11,112 --> 00:01:13,067
¿Nosotros? Somos los niños
de los bosques.

00:01:13,237 --> 00:01:15,856
Que tienen el estómago vacío.

00:01:16,028 --> 00:01:20,188
En fin, acabáis de descubrir
mi amor secreto por la fotografía.

00:01:20,362 --> 00:01:22,898
Sabemos mantener un secreto.

00:01:23,070 --> 00:01:26,649
- ¿Quién te lo dijo?
- Él llegó de Florencia.

00:01:26,820 --> 00:01:30,814
- Los vio con sus propios ojos.
- Carabineros

00:01:30,986 --> 00:01:34,815
por todas partes
pero con bayonetas.

00:01:34,986 --> 00:01:36,776
Marcharán a Roma.

00:01:36,944 --> 00:01:40,642
La señal llegará
cuando menos te lo esperas.

00:01:58,319 --> 00:02:00,559
¿Qué hacéis, me dejáis solo?

00:02:02,277 --> 00:02:05,892
- No os vayáis sin mí.
- Al fin y al cabo...

00:02:08,361 --> 00:02:11,524
- Se lo ha dicho bien claro.
- Y sin medias tintas.

00:02:11,694 --> 00:02:14,776
O el gobernador se ocupa
de sus asuntos, o...

00:02:14,943 --> 00:02:16,187
Es la única forma.

00:02:16,361 --> 00:02:17,770
No hace más que interferir.

00:02:27,485 --> 00:02:31,645
En la cámara de comercio
no saben nada.

00:02:31,819 --> 00:02:35,480
Es una maniobra política.
Así la cámara de comercio...

00:02:35,652 --> 00:02:38,603
Es más que política,
es una revolución.

00:02:38,777 --> 00:02:42,308
La cámara de comercio debería saberlo.

00:02:43,485 --> 00:02:46,897
Mira, nuestro fotógrafo. ¿Adónde va?

00:03:01,984 --> 00:03:04,769
Sí, sí, ya voy. ¿Qué es esto?

00:03:04,942 --> 00:03:07,313
- ¿Te has disfrazado?
- Es lo último.

00:03:07,485 --> 00:03:11,015
Y si quieres estar en los negocios
hay que seguir ...


Born the same day at the turn of the 20th century Italy, January 1, 1900, two best friends, Alfredo Berlinghieri (Robert De Niro as an adult) and Olmo Dalcò (Gérard Depardieu as an adult) come from opposite ends of the social spectrum. Alfredo is from a family of wealthy landowners led by his abusive but populist grandfather Alfredo the Elder (Burt Lancaster), while Olmo is an illegitimate peasant son off the estate whose grandfather Leo Dalcò (Sterling Hayden) is the foreman and peasant strong man who verbally and spiritually carries a duel of wits with both the peasants as well as his employer, but without ever reaching violence with Elder Alfredo's bidding. While growing up, the young Alfredo is somewhat rebellious and despises the falseness of his family, in particular his weak but cynical father Ottavio (Werner Bruhns), he befriends Olmo, who was raised as a socialist.The two become friends throughout their childhood, despite the social differences of their families. Alfredo's grandfather, suffering from gout, senile dimensia, and other ailments, commits suicide by hanging himself in the dairy barn. As a result, Ottavio inherits the plantation.In 1917, the teenage Olmo enlists with the Italian army during World War I and goes off to fight on the front lines in northern Italy while Alfredo stays behind to learn how to run his family's large plantation. Olmo returns from the war over a year later and his friendship with Alfredo continues. However during Olmo's time away, Alfredo's father has hired Attila Mellanchini (Donald Sutherland) as his new foreman following the death of Olmo's own grandfather. Attila is sadistic man who becomes taken with fascism, especially after the facists come to power in the early 1920s, Italy.Attila eventually incorporates his new belief system in his dealings with the Berlinghieri workers; he treats them cruelly and later cages them in the Berlinghieri compound and accuses them of treason against Fascist Italy. Several are killed by Attila himself. Alfredo's father, Ottavio, eventually dies from an illness and Alfredo inherits the vast estate as its sole heir. As the new padrone (master) of the plantation, Alfredo does little to challenge or halt Attila's evil actions.During the late 1920s and early 1930s, the intimacy and lack thereof in their respective relationships with others is highlighted in their love lives as both Alfredo and Olmo cannot seem to hook up with the right woman to be with. Alfredo eventually marries a gorgeous, demure woman, named Ada (Dominique Sanda), while Olmo marries Anita (Stefania Sandrelli), a fellow idealist who, like him, shares in the enthusiasm of the cause of workers' rights in the vein of socialism.Alfredo's wife, Ada, sinks into alcoholism when confronted with the reality of the emptiness of her relationship with Alfredo.Olmo's wife, Anita, a strong and independent woman, dies tragically in childbirth, bringing another member into the community; a daughter whom Olmo names after his late wife. As Olmo takes on his fateful role of leader among the poor farmers and their families, he clashes with Attila several times as the years go on. Olmo's daughter, Anita the Younger (Anna Henkel-Grönemeyer), grows into a young and resourcful teenager whom is supportive of her father's socialist beliefs.The power, however, shifts after World War II in 1945, and the ruling class is at the mercy of the jovial and bitter peasants in the agricultural estate. As padrone, Alfredo is captured by a teenage peasant boy carrying a rifle. Attila is also captured when he and his wife, the equally cruel and sadistic Regina (Laura Betti), try to flee the region. Attila is stabbed, non-fatally, several times by women wielding pitchforks and is imprisoned in the Berlinghieri pig sty. He is later executed by the peasants (while they cut off most of Regina's hair), who have discovered that Attila had raped and killed a young boy (ironically, the son of one of the most fervent supporters of fascism as an antidote to socialism) several years prior in a fit of rage and had also murdered a wealthy landowner's widow, Mrs. Pioppi (Alida Valli), whose husband had been economically ruined by Alfredo, in order to steal her land and home.Alfredo is brought before Olmo's workers tribunal to stand trial. Many workers come forth and accuse Alfredo of letting them suffer in squalor while he (and his social class) profited from their labors and on top of that, he did nothing to stop the sadistic Attila. Alfredo is sentenced to death, but his execution is prevented after Olmo explains that the padrone is already dead even though Alfredo lives... that is, the social system has been overthrown with the end of the war. As soon as the verdict overturned, however, representatives of the new government, which includes the Communist Party, arrive and call on the peasants to turn in their arms. Olmo convinces the peasants to do so, overcoming their skepticism. Alfredo declares to Olmo: "The padrone is alive."

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